The painter needs steady control of the brush to lay down smooth, sure strokes. Five drills train the wrist, the fingers and the eye to move together. The first drill repeats straight lines across a sheet - the second forms slow curves - the third links short dashes - the fourth varies pressure to thicken or thin the mark - the fifth copies a simple shape until the motion feels automatic. The hand repeats each motion hundreds of times - the joints learn the distance, the skin memorizes the pressure. Weeks later the edge of a stroke meets the next color without waver and a single pull of the brush carries both width and direction in one motion. Visit - https://artalivegallery.com/